Friday, 22 February 2008

Thursday, 21st February, 2008





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NO INTERNATIONAL HERALD TRIBUNE RECEIVED IN THE POST WITH NEWS FROM OUTSIDE THE VALLEY.

I DID RECEIVE A GLOSSY MAGAZINE FROM THE IHT CALLED 'T', 'THE INTERNATIONAL HERALD TRIBUNE STYLE MAGAZINE'.



DEVOTED TO WOMEN'S FASHION SPRING 2008 IT FEATURED THE ACTRESS CHARLIZE THERON ON THE FRONT COVER, POSING TOPLESS, HEADLINED 'NAKED AMBITION'.
SOME EXTRACTS ARE QUOTED BELOW.
IS IT JUST ME, OR AM I LOST?








LETTER FROM THE PUBLISHER
T is a useful and sophisticated instrument for navigating our visually obsessed planet, culling what is new and worthwhile...









CONTRIBUTORS: ALEXI WORTH
"Her (Japanese artist Yoyoi Kusama) airmail-sticker collages moved me because they spoke to Kusama'a special connection to the feeling of being in exile," he says. Although it was his first visit to Japan, Worth, a native New Yorker, didn't get too homesick. "I spent the majority of the time with my computer, talking to dealers and riding the subway," he says. "So it really wasn't that different from my life back home."














T: THE REMIX
IT'S ALL ABOUT
Innocence, Yin and Yang, Scents of History, Liberty Belles, Power Vibes, Shades of Gres.

(Picture: Soft focus: A detail from David Hamilton's 1971 photograph "The Shell Seekers" captures the season's gauzy sensuality.)











THE INNOCENCE PROJECT (Horacio Silva)
Of course the idealized vision of the incorruptible gil-woman, which has been sampled add nauseam throughout the years, should surprise no one.

And isn't innocence the ultimate fleeting moment - in other words, catnip for an industry perennially in search of the, well, moment?

Needless to say, transgressive designers are most likely drawn to virtue because of the possibility of its being defiled. After all, even those most above suspicion can turn out to be as sweet as sour milk,

Innocent but carnal - how very this season.












SIMON DOONAN FREE-ASSOCIATES
My 37 shirts, custom made from Liberty fabric by Hamilton have liberated me from the burden of thinking about what to wear.












BABY STEPS
The model Liya Kebede has made great strides for racial diversity in fashion. Now, she's starting Lemlem, a mostly hand-woven line of children's clothes made in Africa, in the hope that a younger crowd will embrace her multi-culti ideas.
The outfits have an Ethiopian vibe with a New World ease. Finicky tots will approve.










SCENT NOTES (Chandler Burr)
Purple Patouchli, one of Tom Ford's Private Blends created by David Apel, is a different gloss on the art-house scent. Apel and Ford have refined and enlarged the patchouli scent track of a 1968 acid trip into something marvelous: Jimi Hendrix in a Tom Ford suit. This perfume is sweat and animal wildness, at the volume of a concert amp, swathed in a $4,000 handmade European-cut worsted suit, Italian 42 long.








THE FLAPPER DOESN'T CHANGE HER SPOTS: What Lindsey Lohan can learn from a 1920's 'IT' girl.
Sally Phipps played a new kind of heroine who flirted with morality while dressed to the nines.



OBJECT LESSONS (Alice Rawsthorn)
POWER PLAY
There's a school of style slut (and I'll own up to being a member) that likes to believe changes in fashion reflect broader shifts in society, geopolitics, the arts, the economy and so on. Maybe it makes us feel less guilty about spending quite so much time and money on what we wear, or perhaps it gives us an excuse to talk about it longer.



TRUNK SHOW: BE SHEENA, QUEEN OF THE JUNGLE, IN THIS SEASON'S POSH VERSION OF THE LOINCLOTH.
Photographs by MARK SEGAL
[P.74 Picture of a flat chested, heavily made up model dressed in lingerie, shot in soft-focus David Hamilton style. The model appears to be about the age of Jodie Foster in Taxi Driver.]









THE GET: Mirror Image
Calling all narcissists: now you can check yourself out in your shoe. This mirrored platform is by Roger Vivier.





THE GET
One of her (Lane Crawford's Sarah Rutson) favorite accessories is invisible. Yu, a limited-edition perfume from Mane, costs $5,000 and "contains rare, sustainably harvested plant essences like Indonesian champak and Mysore sandalwood."







CHARLIZE ANGEL
MAKE NO MISTAKE, THE HEAVENLY CREATURE KNOW AS CHARLIZE THERON HAS HER FEET FIRMLY PLANTED ON THE GROUND.
Text by LYNN HIRSCHBERG
Photographs by MATTHIAS VRIENS
LH: In your new film, "Sleepwalking", you not only star but you also produce. Was that difficult?
CT: People forget that I produced "Monster" [the 2003 film for which Theron won an Oscar...]






JANE'S ADDICTION
In her library, with its Andy Warhols and Keith Harings, Holzer mixed vintage chairs by Jacques Adnet and Marco Zanuso with a sofa from Macy's. One thing Holzer is not is a snob.




KUSAMA DOTCOM: Is she mad or merely cunning? While the art world debates, Yayoi Kusama climbs back on top. By Alexi Worth.
After Akari [the photographer] left, we sat back down at her conference table. I told her it seemed odd to me that a woman whose art was so often comic, and even outrageously funny, should smile so seldom.
"I don't know what you are talking about," she answered. There was no anger in her voice, but she whispered something further in Japanese to an assistant. The assistant leaned over to me:that was it. The interview was over.
















ALL PHOTOS COPYRIGHT IAN WALTHEW 2008

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